Highly recommended: Tutorial . Works great for Striso too!
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KVR Audio Forum thread:
YouTube playlist:
MPE Sound Design for Surge XT - Invidious
Videos released so far:
*** Important note: about 16 minutes in, where I'm showing how to set up the timbre curve, I forgot to mention that the LFO Rate should be disabled, just as it is on the pressure curve. Make sure this is disabled when you save your patch. ***
In...
In this episode, we'll synthesize the basic cello sound with a modulated pulse wave and lowpass filter, then look at some methods for modeling the resonances of the cello body and bow noise, and finally we'll employ some advanced curve techniques to...
Ive moved this to software… as it’s a great (mpe) tutorial for any mpe controller using surge xt (free!) … spread the love
btw: peeps, go check it out and give the YT some love, its a very small channel…
and a 50 min video ( from experience!) can take hours to film and edit !
even if you don’t have time to watch it thru, considering liking and leaving a comment etc.
YouTube rewards ‘engagement’
note: Ive no connection to the video… as I said, just want to spread the love.
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Here is the next episode in the series:
In this episode, we add plucked sounds to our repertoire with an in-depth study of Surge's envelopes. At the end we'll throw in a whammy bar and some release velocity for fun.
There's not a particular "target sound" in this episode, I'm just...
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Nice and useful tutorials
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Here is the next side note episode in the series:
In this video we'll use Alias, Surge XT's naughtiest oscillator, to take a first look at additive synthesis. This will let us directly mimic the harmonics of an acoustic sound, and we'll see how this might be useful when creating microtonal music....
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Here is the next episode in the series:
Here is the next episode in the series:
1 Like
Here is the next episode in the series:
In this episode we make a template drum in Surge XT, using filtered noise, a swept sine wave, and the modal resonator. These elements will be controlled by a bunch of envelopes to shape their amplitude and pitch. Then we'll look at some ways to turn...