yeah, I doubt we will see content creators using the Osmose for demos too much, for a few reasons:
a) I don’t think many were given an Osmose, and it was an expensive purchase (for demos/preset creation)… though I do think there are some out there.
b) Y axis issue - as discussed above.
c) confusion - osmose is (primarily) advertised as standalone synth, so that could potentially confuse some about usage of plugin.
d) other mpe controllers are (arguably) more visually ‘intriguing’, than what looks like a conventional keyboard (e.g. leds, alternative layout)
e) familiarity/use what you have, some of the creators have been using other mpe controllers previously… not likely to switch given the whole mpe area is relative niche.
as Osmose owners, we could argue all these points, and point to the the success of the Osmose, and its widespread acclaim. but Id be surprised if many switch over to Osmose for demos etc. though, of course, Im sure there will be a few, we know some sound designers really like it!
I think it’s an intriguing time now for the Osmose…
I think they are now pretty much ‘freely’ available, and we are over the honeymoon and marketing (social media) hype. so, now is the time where we sit back and enjoy it, make music with it… and really get to know it well.
from there, time will tell… will it age like a fine wine, and so more will be drawn to it, and we start seeing it crop up in more regularly (where its not the ‘main feature’), or will it be like many other mpe instruments, which has an avid following, but remains niche?
and of course, this is all running in parallel with increasing adoption of mpe.eg. Live, and even in the Push 3. again,
how widespread will that become, or will it just be a feature that few really use?